Artist Curriculum Vitæ
A researcher and reifier of timeless mathematical wonders; the author of the Apeirographer's Manifesto; a curator of exotic fractal Biomorphs; the discoverer of an infinitude of pareidolic Anthropobrot figures in the Apeiropolis Multiset.
My approach to art is inseparably intellectual and spiritual at once. I am captivated by the improbable marvels hidden within mathematics, and restlessly search for ever more curiously aesthetic revelations; seeing in them an undeniably anthropic conception of beauty that whispers of the divine.
- “Algorithmic Art Season 2019.” Royal Cornwall Museum, Truro, United Kingdom. October 2019 – December 2019.
- “To Canada, with Love.” (2/2) Art Square Gallery Upstairs, Toronto, Canada. October 2017.
- “Biomorphs: Microbes on the Complex Plane.” Solo exhibition.
Oakwood Village Library and Arts Centre, Toronto, Canada. June 2017.
- “Wunderkammer: Cabinets of Curiousity.” T.E.S.T. Gallery, Toronto, Canada. May 2017.
- “To Canada, with Love.” (1/2) Art Square Gallery Upstairs, Toronto, Canada. March 2017.
- “1956 Memorial Exhibition.” Consulate General of Hungary, Toronto, Canada. October 2016 – February 2017.
- “No Subject.” Melody Bar, Gladstone Hotel, Toronto, Canada. April – May 2016.
- Kossakovski, Fedor. “Fractal fascination, an interview.” Event Horizon, December 2016.
- Aggott Hönsch, István. “On fractal forms.” Event Horizon, December 2016.
- Perminger, Sam. “Saggitarius A*.” Event Horizon, December 2016.
- Singer, Robert. “On the origin of species.” Event Horizon, December 2016.
- Dustman, Emily. “Aggott Hönsch István.” E-squared Magazine, October 2016: 121–124.
- Daïm Aggott-Hönsch. “The Apeirographer’s Manifesto.” Apeirography.art, June 2016/August 2019.
- Aggott Hönsch, István. “The multitude behind the Buddhabrot.”, viXra.org, April 2016.
- Consulate General of Hungary in Toronto, Canada.
- Private collections in Canada, France, Hungary, and the United States.